Homage to Mixtapes at 92NY
Homage to Mixtapes
Works by C.P.E. Bach, G. Ligeti, V. Silvestrov, A. Beach. M. Feldman. G. Spears, P. Glass, J. Haydn, G. Crumb and H. Cowell
UNLTD Powered by Verbier Festival
A journey through shadow and light as Schubert and David Lang explore the voices of Death — one through intimate song, the other through a modern echo. With Sandrine Piau, Pedja Mužijević, and the Leonkoro Quartet, UNLTD enters Schubert’s orbit ahead of his 200th birthday in 2028 for this Verbier premiere.
String Orchestra of the Rockies
L. van Beethoven Piano Concerto no. 4, op. 58 (arr. Lachner)
Workshop at Colburn School in Los Angeles, CA
What Is a Concert?
A concert is a meeting point for all of us who love music—whether we are performers, teachers, presenters, funders, journalists, or ticket buyers.
But what is a concert, really?
Or, more accurately, what can a concert be today?
This workshop explores every aspect of a concert except the act of playing. We’ll look at programming, stage presence, how to use time on stage intentionally when not performing (between movements or works), speaking about music, audience development, writing compelling marketing blurbs, choosing concert locations, handling production needs, crafting email pitches to presenters and funders, setting artist fees, and increasing ticket sales.
Many of us have witnessed declining concert attendance, shrinking media coverage, and reduced funding. But how have we adapted concerts to meet the needs of our audiences? There are no single, definitive answers to these questions. Yet, if we want to make a living as musicians, we must approach them with the same creativity and seriousness we bring to our interpretations.
Pedja Muzijevic leads this conversation, drawing on his experience as a pianist, Artistic Advisor at Tippet Rise Art Center in Montana, and Artistic Administrator at Baryshnikov Arts in New York. He offers practical insights on making concerts more relevant in the 21st century. Pedja has led What Is a Concert? workshops at the Verbier Festival Academy, Banff Centre, Colburn School in Los Angeles, and The Glenn Gould School in Toronto, among others.
Workshop at Curtis Institute of Music
What Is a Concert?
A concert is a meeting point for all of us who love music—whether we are performers, teachers, presenters, funders, journalists, or ticket buyers.
But what is a concert, really?
Or, more accurately, what can a concert be today?
This workshop explores every aspect of a concert except the act of playing. We’ll look at programming, stage presence, how to use time on stage intentionally when not performing (between movements or works), speaking about music, audience development, writing compelling marketing blurbs, choosing concert locations, handling production needs, crafting email pitches to presenters and funders, setting artist fees, and increasing ticket sales.
Many of us have witnessed declining concert attendance, shrinking media coverage, and reduced funding. But how have we adapted concerts to meet the needs of our audiences? There are no single, definitive answers to these questions. Yet, if we want to make a living as musicians, we must approach them with the same creativity and seriousness we bring to our interpretations.
Pedja Muzijevic leads this conversation, drawing on his experience as a pianist, Artistic Advisor at Tippet Rise Art Center in Montana, and Artistic Administrator at Baryshnikov Arts in New York. He offers practical insights on making concerts more relevant in the 21st century. Pedja has led What Is a Concert? workshops at the Verbier Festival Academy, Banff Centre, Colburn School in Los Angeles, and The Glenn Gould School in Toronto, among others.
Tippet Rise Art Center
Johann Strauss (are. A. Schoenberg) Kaiser Walzer, op. 437
Brandon Patrick George, flute
Yoonah Kim, clarinet
Mellisa White, violin
Benjamin Beilman, violin
Emma Wernig, viola
Bryan Chang, cello
Pedja Muzijevic, piano
F. Schubert Piano Quintet in A major, D. 667 “Trout”
Lun Li, violina
Emma Wernig, viola
Jay Campbell, cello
Lizzie Burns, bass
Pedja Muzijevic, piano
Tippet Rise Art Center
Andy Akiho The War Below from Prospects of a Misplaced Year
Guillaume Connesson Techno Parade
Aaron Copland Appalachian Spring
Homage to Mixtapes at UNLTD25 powered by Verbier Festival
Before streaming came mixtapes—carefully curated and totally personal. Pedja Mužijević revisits that spirit in a 60-minute set where Haydn meets Ligeti, Crumb meets Amy Beach, and surprises flow track to track. Performed and narrated in English, this isn’t a recital. It’s a playlist, live on stage.
Verbier Festival Academy
Faculty for 21C Artist Training at the Verbier Festival Academy for soloists and ensembles
St. Lawrence Chamber Music Seminar
Guillaume Connesson (b. 1970)
Techno Parade
Tara Helen O'Connor, flute
Todd Palmer, clarinet
Pedja Muzijevic, piano
St. Lawrence Chamber Music Seminar
Franz Schubert (1797-1828)
Piano Quintet in A major, D. 667 "Trout”
Daniel Phillips, violin
Dimitri Murrath, viola
Nina Lee, cello
Tony Manzo, double bass
Pedja Muzijevic, piano
The SLSQ Chamber Music Seminar at Stanford University
Coaching chamber music at the Stanford University
Spoleto Festival USA
Solo and chamber music at Spoleto Festival USA Chamber Music series in Charleston, SC
Concert in 21st Century Workshop at Tippet Rise Art Center
This week-long workshop will bring six young musicians to Tippet Rise Art Center in Montana to look at the concert from perspectives of performers, presenters, production and marketing managers, funders and audience members. Musicians will perform a public concert at Tippet Rise, a pop up concert in an unconventional location in a neighboring community, write marketing blurbs for them, discuss production needs, look at the flow of each concert, work on speaking in public about music and explore ways to diversify the concert format.
The workshop will be lead by Pedja Muzijevic, pianist and artistic advisor for Tippet Rise Art Center.
Fort Worth Symphony Orchestra
LIGETI: Sonatina for Piano Four-Hands
LIGETI: Allegro for Piano Four-Hands
LIGETI: Induló
LIGETI: Három lakodaimi tánc
BEACH: Summer Dreams
DEBUSSY: En blanc et noir
with Robert Spano, piano
Bay Chamber Concerts
Homage to Mixtapes
C.P.E. BACH Allegretto moderato from Sonata in G Major, Wq. 55/6 (1765)
GYORGY LIGETI Tempo di valse (poco Vivace – “à l’orgue de Barbarie”) from Musica ricercata (1953)
C.P.E. BACH Andante from Sonata in G Major, Wq. 55/6 (1765)
VALENTYN SILVESTROV Serenade and Waltz of the Moment from Four Pieces, Op. 305 (2021)
C.P.E. BACH Allegro di molto from Sonata in G Major, Wq. 55/6 (1765)
AMY BEACH Ballad Op. 6 (1894)
PHILIP GLASS Dreaming Awake (2003)
HAYDN Allegro from Sonata in E-flat Major, Hob. XVI/52 (1794)
GEORGE CRUMB Pastorale (from the Kingdom of Atlantis, ca.10,000 B.C.) (1972)
HAYDN Adagio from Sonata in E-flat Major, Hob. XVI/52 (1794)
HENRY COWELL Aeolian Harp (1923)
HAYDN Presto from Sonata in E-flat Major, Hob. XVI:52 (1794)
What Is a Concert?
What is a Concert Workshop with Rebanks Fellows of The Royal Conservatory of Music Glenn Gould School in Toronto
Music in the Morning
Pauline Oliveros Tuning Meditation
Reena Esmail Saans
Franz Schubert Piano Trio in E flat, D. 929
with Mark Steinberg, violin and Adrian Fung, cello
Music in the Morning
Pauline Oliveros Tuning Meditation
Reena Esmail Saans
Franz Schubert Piano Trio in E flat major, D. 929
with Mark Steinberg, violin and Adrian Fung, cello
Music in the Morning
Paulien Oliveros Tuning Meditation
Reena Esmail Saans
Franz Schubert Piano Trio in E flat major, D. 929
with Mark Steinberg, violin and Adrian Fung, cello
Music in the Morning Vancouver
Pauline Oliveros Tuning Meditation
Reena Esmail Saans
Franz Schubert Piano Trio in E flat major, D. 929
with Mark Steinberg, violin and Adrian Fung, cello
Basic Instincts
Basic Instincts
Program to be announced from the stage
Music is called the universal language, but what does that really mean? Pianist Pedja Mužijević leads this interactive performance with a wide range of short piano works, from Joseph Haydn to Henry Cowell, and asks the audience very specific questions that will encourage us all to react to music with our instincts.
Hamamatsu International Piano Competition
Jury member at 12th Hamamatsu International Piano Competition
Piano aux Jacobins
C.P.E. Bach : Allegretto moderato from Sonata in G major, Wq. 55/6 (1765)
G. Ligeti : Tempo di valse (poco Vivace – “à l’orgue de Barbarie”) from Musica ricercata (1953)
C.P.E. Bach : Andante from Sonata in G major, Wq. 55/6 (1765)
V. Silvestrov : Serenade and Waltz of the Moment from Four Pieces, op. 305 (2021)
C.P.E. Bach : Allegro di molto from Sonata in G major, Wq. 55/6 (1765)
G. Spears : Thursday Morning from Seven Days (2020)
G. Antheil : Selections from La femme 100 tête (1933)
G. Spears : Friday Afternoon from Seven Days (2020)
M. Ravel : Oiseaux tristes from Miroirs (1905)
G. Spears : Saturday Evening from Seven Days (2020)
P. Glass Dreaming Awake
J. Haydn : Allegro from Sonata in E flat major, Hob. XVI/52 (1794)
G. Crumb : Pastorale (from the Kingdom of Atlantis, ca.10,000 B.C.) (1972)
J. Haydn : Adagio from Sonata in E flat major, Hob. XVI/52 (1794)
H. Cowell : Aeolian Harp (1923)
J. Haydn : Presto from Sonata in E flat major, Hob. XVI:52 (1794)
Basic Instincts at Montana State University, Bozeman, MT
Basic Instincts
Program to be announced from the stage
Music is called the universal language, but what does that really mean? Pianist Pedja Mužijević leads this interactive performance with a wide range of short piano works, from Joseph Haydn to Henry Cowell, and asks the audience very specific questions that will encourage us all to react to music with our instincts.
Tippet Rise Art Center
Robert Schumann Piano Quartet in E flat major, op. 47
Alexi Kenney, violin
Ayane Kozasa, viola
Gabriel Cabezas, cello
Pedja Muzijervic, piano
Verbier Festival Academy
Faculty at Verbier Festival Academy 21C Artist Training Program
St. Lawrence Chamber Music Seminar at Stanford University
S. Rachmaninov Romance and Waltz
Stephen Prutsman, piano
Pedja Muzijevic, piano
John Novacek, piano
St. Lawrence Chamber Music Seminar at Stanford University
L. van Beethoven Piano Trio, op. 1 no. 2
Daniel Phillips, violin
Nina Lee, cello
Pedja Muzijevic, piano
St. Lawrence Chamber Music Seminar at Stanford University
Isabella Leonarda Sonata Duodecima
Alexi Kenney, violin,
Hannah Collins, cello
Pedja Muzijevic, harpsichord
Lili Boulanger Deux morceaux: Nocturne and Cortège
Todd Palmer, clarinet
Pedja Muzijevic, piano